The Culture of Nessie

This post is a place holder for articles which address the cultural aspects of the Loch Ness Monster. This blog of course covers the main theme of Nessie herself and those who pursue her but a modern day mythology has wrapped itself around the creature as society in its various aspects expresses their various conceptions of the Loch Ness Monster.

The old Highlanders mapped their bridled demon onto the mysterious object that ploughed its way thru Loch Ness and modern man is no different in how he processes the beast through various cultural filters of the day. You have the Commercial filter where outlets sell postcards (above), fluffy toys, fridge magnets and badges portraying something ranging from a green monster wearing a tartan bunnet to a more standard looking plesiosaur.

You have the Hollywood filter which either portrays Nessie as a gentle giant appealing to family audiences such as in the 2007 "The Water Horse" film or for the less nervous we have the marauding man eater such as in the 2008 film "Loch Ness Terror". All entertaining stuff but not much to do with that thing looking like an upturned boat slowly gliding to a point of submerging.

That is also reflected in the literary world where films often take their ideas. Steve Alten's "The Loch" leads a genre of book which stays with the mysterious beast you need to avoid at all costs ranging to titles where things are just generally a bit mysterious and edgy.

This is most reflected in the Childrens' filter where we see that the Loch Ness Monster seems to have some magical appeal to kids. There are more books written on Nessie for kids than other audiences and I don't see that trend changing anytime soon. This can range from green Nessies which present the Loch Ness story in a kid-like way to general friendly Nessie stories. By the way, if anyone can guess why Nessie is often presented as a green creature in many cultural references despite being generally described as grey or black, I would be interested in your comment. Clearly, grey/black is not a cheery colour or conducive to entertaining, but why green?

Each of these filters or genres presents the Monster in a different way to its intended audience. But like the Kelpie of old, they may bear little resemblance to the underlying reality. Even the more serious books which concentrate on the evidence and seek to avoid "entertaining" are not immune to cultural influences as more popular theories such as the plesiosaur one infiltrate the handling of the evidence. In the end, culture is the sum of all our preferences and prejudices and the Loch Ness Monster is no more immune to that than any other folklore, be it modern or ancient.

Below are links to the various articles I have written relating to the Culture of Nessie.

Nessie and the Silly Season - link

The Loch Ness Eels (fictional book) - link and link

Loch Ness Monster Exhibitions - link

 Private Life of Sherlock Holmes (film) - link

Loch Ness Monster Pictures - link and link and link and link

Nessie Cartoons - link

Nessie Simulacra - link

The Secret of the Loch (1934 film) - link

Who would own Nessie? - link

Tourism Wars at Loch Ness - link

Loch Ness Artists - link

Some Nessie Tidbits - link

Nessie banknotes - link 

Some Nessie Paintings - link

Asterix, Doctor Who and Nessie - link

Some Pathe Newsreels on Nessie - link

Another Loch Ness Painting - link

Two Books and Two Kelpies - link

Christmas and Nessie - link

World War II and Nessie - link

The Commonwealth Games and Nessie - link

The Loch Ness Monster and the BBC - link

Early Artistic Depictions of Nessie - link

Nessie says No! - link

Nessie, Salmond and Bonfires - link

Nessie Cartoons Through the Years - link

The Nessie Effect - link

Nessie in the Kitchen - link

Most Popular Cryptid? - link

The Soviets on Nessie - link

Nessie: Scotland's National Animal? - link

New Loch Ness Tourism Website - link

Was Nessie invented by a publicist? - link and link

An old tale from Loch Ness - link

Nessie named after the Queen? - link

Nessie on the Internet rise - link

The Year of the Monster (artist) - link

Oor Wullie meets Nessie - link

Nessie and The Silly Season

The BBC News website carried an article recently about the "Silly Season" or that period of time between July and September when news is slow and the media generally turn to stories about Nessie, UFOs and other "odd" stories. The reason for the slow news is due to things such as Parliament being in recess and the football season being over.

David Clarke from Sheffield Hallam University has been studying such news items in an attempt to classify the Silly Season and its origins in mermaid and sea serpents reports from the 19th century. Needless to say, the Loch Ness Monster is high up on the list of items and Mr. Clarke himself is quoted as saying:

"I'd like to go back and see when the first sightings of the Loch Ness Monster took place, it could well have happened during the silly season"

Indeed, would there be a Loch Ness Monster without the Silly Season? Well, I can help him to some extent. Did the first reports of Nessie happen during that season? The answer is "Yes" and "No" for the first reported sighting was reported in May 1933 but the sighting which escalated the monster to the public view was the Spicer land sighting in August 1933. One story in season and one out of season, take your pick as to which was more important. But it takes more than one monster report to sustain a phenomenon and it is generally agreed from statistical studies that most reported sightings are during this season.

But is this a cause or an effect? In other words, is the monster seen at all times of year, but the ones during the Silly Season get more publicity? Or do more people view the loch during the Summer and hence that is the main explanation for this peak? It would be easier to assume the summer peak is down to more viewers, the Silly Season and other factors. Whether the creature itself surfaces more during the Summer is not a trivial question and requires further studies beyond the scope of this article.

To that end, I have no problem believing the Silly Season has its part to play in the Loch Ness Monster story, but it would be naive to suggest it is the sole progenitor of the phenomenon. If it was just a matter of producing a story for news starved journalists then that would be it, but as Loch Ness researchers know, sightings of the monster ebb and flow and occasionally disappear from view for years. Is this because Nessie is no longer regarded as Silly Season material or because people are not reporting what they see or because Nessie herself is not surfacing as much?

The period of rising tensions and finally war between 1937-1945 may be one example of Nessie not being regarded as Silly Season material, but the more likely reason was the fact that the Silly Season itself disappeared as war does not take time off during the summer months.

The austerity years of 1946-1954 (when rationing effectively ceased) may have been seen as prime years for Silly Season reporting to entertain the recovering British public, but again not much in the way of Nessie stories. Was this a collective decision by newspaper editors or more to do with the British public preferring the sunny, cheering beaches of England for their holidays rather than the cold north of Loch Ness?

Again, a study of the Silly Season requires other social factors and as a result turns it into a rather complicated subject. To me, the Loch Ness Monster needs the press to stimulate interest and produce the next generation of inquirers. What would have happened if the BBC did not televise Tim Dinsdale's film in 1960 to a prime time audience? Would we ever have heard of the subsequent group of monster hunters and their organisations? Would I be writing this article?

So the media reporters are important, but to my mind they need Loch Ness observers reporting what they saw, and those observers need a large and mysterious creature to observe. Could the Silly Season on its own sustain the Loch Ness phenomenon without the need for a monster? Perhaps for a year or two, but for nigh on eighty years? This blogger doubts that.

Will Kevin the Witch make a return to Loch Ness?

Is Kevin Carlyon, Britain's top white witch and "High Priest of Loch Ness and Protector of Nessie" about to make a return trip to Loch Ness? According to the Aberdeen Press and Journal, he is due to make a return trip to the loch to "charm" Nessie out of it. He is convinced that the recent photograph by George Edwards merely shows a log and he reiterates his view that Nessie is a ghost-like paranormal phenomenon.

His first trip to Loch Ness was in 2001 to confront Swedish cryptozoologist Jan Ove Sundberg who was attempting to capture Nessie in a net in shallow waters. The two had a spat as their conflicting agendas came to the fore in front of the media (see clip below).

But apparently his spell to hide Nessie from Sundberg proved to be too successful as sightings dropped off and Kevin had to return on the 13th June 2003 to persuade the creature to come back. How successful that was is not certain but sightings certainly did pick up over 2004/2005 and Nessie must have seen Kevin coming because there were three sightings two weeks before on the 1st June! Given that there only seems to be one sighting this year so far, perhaps his services are required again.

Whatever you may think of Kevin, he certainly continues in the line of the oldest Nessie creed. By that I mean the centuries old belief that Loch Ness is inhabited by a supernatural creature called the Each Uisge or Water Horse. Whether one uses the word "supernatural" or "paranormal" is a moot point but the main idea is that the Loch Ness Monster is not a normal biological creature. How one frames that argument is open to debate. Kevin Carlyon may depart from other like minded people such as Ted Holiday and Tony Shiels on the finer points of the theory and indeed the old Highlanders may yet have had further to say on the matter. 

For example, the ancient inhabitants around Loch Ness would be in no doubt that the creature was physically solid but also had some of the ghost-like attributes promoted by Kevin. Moreover, the origin of the creature may also evoke further speculation as some may see it as the product of the mind's psychic abilities while older beliefs firmly point towards Satan as its ultimate commander. Going back even further in time before Christianity would no doubt bring us into the realms of water spirits and pictish gods.

On a similar note, I picked this link up about the sorcerer Aleister Crowley (below) entitled "Did Aleister Crowley Unleash Demons at Loch Ness". It is accompanied by a rather creepy video re-enacting some of his ritual there to tap into forces which he probably shouldn't have bothered with. In answer to the question about unleashing demons, the answer is likely "No" and how would we know anyway?

Crowley had no knowledge of a beast in Loch Ness during his time there between 1899 and 1913, but then again, he did not exactly mingle with the natives to get the local knowledge. However, it is curious that of all the places he scoured in Britain for his supernatural portal, he should alight upon the shores of Loch Ness in an area which just so happens to have had the highest concentration of kelpie lochs. Oh well, I am sure there is a perfectly rational explanation!

The Lachlan Stuart Photograph (Part 2)

Having spent probably too much time examining pictures which are suspected and definite fakes, I come back to the classic Lachlan Stuart photograph which, it must be said, has its fair share of critics as well. This next instalment is actually a response to the previous article which examined the claims of Richard Frere. In summary, four different versions of his claim that the photo was hoaxed can be found which understandably casts doubt upon the whole matter.

However, I received an email from an experienced Loch Ness researcher who made two points. Firstly, he referred me to a piece in Rip Hepple's June 1988 Nessletter in which Loch Ness researcher Alastair Boyd had written to Richard Frere asking him to expand on his hoax revelation. This can be found in Nessletter number 88 which I had actually scanned in preparation for inclusion in the Rip Hepple archive and is reproduced below. In this letter Frere refers to the Loch Ness Monster with the character "?".

Dear Mr. Boyd,

Thank you for your letter concerning Stuart’s photograph of ? As you say many years have gone by since 1951 but I happen to remember clearly a meeting at Loch Ness side, in the vicinity of Whitefield cottage, with a man who represented himself as Lachlan Stuart. At that time I had a timber business and was in need of an additional horse for timber dragging. I had heard that, Stuart had such a beast, or could put me in touch with one, and our meeting was arranged by a third party. I met with Stuart in early August.

We discussed the horse but no bargain was struck, even after the woodsman had obligingly offered a dram from his bottle. Before we parted he took me down to the pebble beach where, concealed within a clump of alder or hazel, I was shown, on my promise of silence, three or four bales of hay (as supplied for horses) and some strips of tarpaulin. I was told that these were the ‘humps’ of ?. m S. was proud of his joke, in which he saw no harm, and he was greatly surprised that his photograph had come out at all, as it was taken ‘near dark’ I did not enquire at what margin of the day it had been snapped.  Stuart considered ? ‘a load of nonsense’ and poked fun at those who took it seriously.

From this you can see that I did not participate in the hoax, although, perhaps, my silence until recently may be construed as that of an accessory. At that time there was little genuine interest in ? and nobody to which sightings might be reported. Stuart referred to ‘his mate’ who may, or may not have been the elusive Taylor Hay. From the third paragraph of your letter I gather that you have read Steuart Campbell’s book. When I say that I find this is a totally convincing denouement of an example of unmatched human credulity you will see on which side of the fence I sit. Thank you for writing to me.

Yours sincerely,

 Richard Frere.

Nicholas Witchell also had this to say in a later edition of his book "The Loch Ness Story":

"Because, as certain newspapers would put it, I can now reveal that a couple of weeks later Lachlan Stuart took another Loch Ness resident, who is known to me and with whom I have confirmed the following details, on a stroll along the beach and showed him the bales of hay and sheets of tarpaulin which he'd used to manufacture his Monster. They were hidden in a clump of bushes. The man who was shown these props gave Lachlan Stuart a promise of silence and since, over subsequent years, he was never interested or impressed by all the hoo-ha about Nessie, he never thought to break his promise and reveal the reality of the photograph as it had been shown to him. That he has now done, and I'm grateful: it is important that the record be clarified and corrected as much as possible."

This may seem to clear things up but problems still exist and not least the issue of Tony Harmsworth being told a different story by Richard Frere (that he had secretly watched Stuart setting up the hoax). The emailer also suggested that Tony had misremembered the account and that his uncertainty is actually mentioned in his book ("Loch Ness, Nessie and Me"). This might seem to put the matter to bed but I do not think this changes the main problem of conflicting accounts and the ultimate reliability of  this evidence.

If we firstly examine the letter sent to Alastair Boyd, there are some clues in the letter which present a new problem. Frere states that he was running a timber cutting business at the time he met Stuart and he also said he was looking for a second horse to pull the timber. These two pieces of information can help us pinpoint when Frere claimed to have met Stuart.

You may recall that I had used Frere's own autobiography ("Beyond the Highland Line" - cover above) to dig deeper into this controversy and I again refer to it here. On page 121 of the book, Frere mentions his first venture into this business after various other business exploits had been dropped and his friend:

"proposed a plan of his own. It was that he and I should look for a contract cutting timber."

This marked the beginning of Frere's long involvement in the timber business. But when did this timber cutting business begin? An examination of the chapter and a reference on the next page undoubtedly places the birth of the business in 1953.

"Today a skilled man using a powerful chainsaw can cut down a whole forest in next to no time but in 1953 these things were in their infancy."

That would imply he had his meeting with Stuart in August 1953. But later on in page 142 he actually refers to the problem of finding a second horse and states he had been looking for such a beast for "over a month". The previous page places this incident in February 1954. That would imply that August 1953 was too early and August 1954 would be a better date for meeting Stuart. Either way, this implies that Lachlan Stuart had apparently taken Frere down to the beach of the photo two or three years after the photograph was taken in July 1951! Were the hay bales and tarpaulin still hidden away at this "infamous" beach up to three years later?

What is more, if Frere had communicated with Nicholas Witchell ("with whom I have confirmed the following details") that he met Stuart two weeks after the event then he was contradicting his own autobiography! Once again, which version is to be believed - two weeks or two years after the picture was taken?

A further damning statement can be found in Steuart Campbell's book "The Loch Ness Monster: The Evidence" who attempted to track down Lachlan Stuart years later. The Forestry Commission had no record of him but the croft had certainly been let by them to him. Campbell then states:

"However, by 1952 he was no longer there."

If Frere said he met Stuart at Whitefield no earlier than August 1953 ... that is a problem according to Steuart Campbell's book.

Perhaps some may accept this two to three year oddity, but I must say I find it a bit incredulous that the incriminating items were still "in situ" after such a long time and had not been moved away from prying eyes. The other strange part of this story is the very fact that he hid these hay bales. Consider the problem, you have three haybales big enough to simulate humps ranging up to five feet across. How do you get rid of the evidence?

Hiding behind thick foliage is an obvious solution but it presents a catch-22, how do you get these massive bales of hay thru the dense thicket? You may suggest the obvious that they "went round the back" or something like that but Frere says they went down to the beach to see the bales which implies they were not far back into the growth. Having been at the site myself back in late May (picture below), my memory of the area leaves me thinking the vegetation is rather thin for this task and leaves me asking why Lachlan Stuart did not do the obvious, simpler thing and roll the bales back to a discreet place at his croft?

That question could be argued about all day but it is a big risk to me to hide the incriminating evidence so close to the "scene of the crime". Indeed, we know that within days of the photo being taken, Constance Whyte and two reporters from the Sunday Express were on the beach checking the veracity of the story and found nothing. I would take that to mean there were no hay bales hidden at the beach. In fact, I always found it strange that they never noticed the surely visible straw that must have fallen off these hay bales as they were rolled around and were washed back onto the shore.

But what about the suggestion that Tony Harmsworth had misremembered the other version that Frere had related to him? Unlike Frere above who says he clearly remembered his meeting with Stuart thirty seven years before, it is suggested that Tony Harmsworth got his details muddled over a similar time period.

There is indeed a degree of uncertainty in what Tony says in his book but I would suggest this was because the introduction of the other Frere story had muddied the waters rather than indicating a pre-existing doubt. However, Tony sticks to his guns in his book by saying "I am pretty confident my account is correct". In fact, I think this idea of misremembering can be dismissed because Tony Harmsworth was saying the same thing 25 years before. In his book "Loch Ness - The Monster" published in that year of 1985, Tony Harmsworth has this to say about the Lachlan Stuart photograph on page 5:

""Recently a highly respectable local person has claimed he was present when the picture was being set up as a deliberate hoax".

A defective memory may be at best plausible thirty years after he spoke to Frere, but after only five years? I think the burden of proof lies with those who hold this position and we can conclude this article by contending that the Frere saga continues to be a contradiction and hence unacceptable as evidence.

Part Three can be viewed here.

The author can be contacted at lochnesskelpie@gmail.com

Loch Ness Monster Book Now Available in UK/EU

My book "The Water Horses of Loch Ness" is now available from amazon.co.uk as well as equivalent EU sites which means free delivery under Amazon's Super Saver Delivery option. Previously, you had to buy from amazon.com which meant an undesirable postage charge if in the EU.

Dodgy Nessie Photos

You can't be too careful when you see a Nessie photograph these days. I stumbled upon this picture at the facebook page of an enthusiast of El Nahuelito, the monster of Lake Nahuel Huapi. The title of the picture is "Loch Ness, Old Photograph".

There is an obvious suggestion of a long neck and a hump in the middle of the picture. Perhaps a genuine picture but then I thought I had seen this photo before. A look at my own blog revealed all.

This is one of my trap camera pictures shown at this previous posting. I wouldn't call it an "old photograph" either as you can tell from the timestamp: 13th May 2012! In fact, my posting went up on the 7th June and the doctored image was uploaded to Facebook 9 days later!

Sadly, the Internet is replete with fake images of lake monsters and sea serpents accomplished with models or photoshop. In fact, I am sure they outnumber the accepted images by a wide margin. Perhaps the owner of the Facebook page would enlighten us as to where he/she obtained this image.

Follow Up on the George Edwards Photo

As stated in my last post, things have moved forward on this story as resident monster hunter, Steve Feltham, has unearthed evidence that may well prove beyond a reasonable doubt that the picture is a staged hoax. According to the Daily Mail (link still not up), Steve was told by a friend that the picture looked a lot like a fake hump he had owned.

The friend in question was from the crew which included Marcus Atkinson who captured that well known sonar hit of Nessie last year and won the William Hill 2012 award for the best Nessie picture.

Steve got a hold of the hump and took some pictures to show to the Daily Mail that there was indeed a case to answer here. The picture is shown here with permission from Steve's own Facebook page which I recommend you visit to get his whole story on the case (as well as his general views on Loch Ness and its famous creature).

The Mail quotes Edward's response to this accusation:

"I stand by my picture. It is genuine. I took it in November as as far as I am concerned it constitutes the latest sighting of the Loch Ness Monster."

Once again, the statement that a "number of shots" were taken is mentioned in the article but again no attempt is made to show this sequence which would help Mr. Edwards in his case.

The hump is about ten years old and was used two years ago for the "Truth Behind the Loch Ness Monster" documentary made by National Geographic. Steve says that at 5m47s into this documentary you can see the hump on George Edwards' boat (frame below) and again at 6m54s in the water.

Here are two stills from that documentary of the hump with the Edwards hump last as a comparison. Make your own mind up on whether these three images are of the same object.

One therefore presumes that the picture was actually taken at the time it was used by the documentary crew. It is not clear whether at that time it was intended to be used as a hoax or was just a playful snap. 

On this subject, another seasoned Loch Ness researcher, Dick Raynor, was in touch with me and he estimates that the object in the picture is about 20 inches long at a distance of about 9 metres (assuming a camera height of two metres). It seems these numbers are in the same ballpark as the model. You can check his analysis of this and other aspects of George Edwards and Loch Ness at this link. It is a very detailed page and worth the read.

Again I invite Mr. Edwards to offer a full response and perhaps let us see these other shots of the object. I believe in the right of reply - my email address is shimei123@yahoo.co.uk !

POSTSCRIPT

Steve Feltham was interviewed by Scottish Television with the prop viewable at this link.