Thursday 10 March 2016

Talking Nessie with Bruce Collins

I was again interviewed on the mysterious matter of the Loch Ness Monster by Bruce Collins and you can listen into that tomorrow. He broadcasts on West Coast People's Radio.




Sunday 6 March 2016

Who are the Monsters of Loch Ness?





With the upcoming book on Frank Searle, I was minded to follow up on a few things in advance to perhaps raising awareness of this topic. When you think of Frank, you think of personality clashes, vendettas and even vandalism and violence. However, the perhaps not so surprising thing is that this little piece of monster hunting history was only the most publicised aspect of a general thread that has run through the decades. In other words, monster hunters and ex-monster hunters are not some cosy conclave of nice but eccentric folks akin to bird spotters, but rather a microcosm of the all too inevitable failings of human nature.

Whether this sub-plot of rivalry played out in the early days of the Hunt is not so clear, but when large numbers gathered at the loch from the 1960s onwards, the ingredients for conflict also came together. Perhaps this is best summed up by Paul Harrison who went public with his views on 2001 when he wrote for the CRYPTO magazine:


To the unwary, Loch Ness is almost like some surreal real life fairy tale, tiny hamlets surrounding a huge expanse of water, exhibitions, tourist shops, whisky and the occasional ‘Monster Hunter/Researcher’ running around in search of the creature(s). To the tourist, a huge farce is played out as the so called ‘experts’ expound their own personal theories, almost demanding to be elevated to the position of world’s number one and sole expert on the matter.

Away from the tourists, these same ‘experts’ (they are indeed the only one’s who class themselves as such) appear to be hell bent on destroying not only the opinions of others but also on succinct character assassination. The reality with Loch Ness research is that it is a complete and utter mess, sighting reports (old and new) held by some and other valuable information is selfishly withheld by those who choose to keep it from the public domain, as these folks absurdly believe that their personalities are bigger than the tradition itself of the Loch Ness Monster. Virtually everything that can be postulated about the Loch Ness creature(s) has been printed in countless books, magazine articles and newspaper columns, therefore I do not intend to dwell on the subject, other than to say until serious and sensible cohesion can be brought to bear on research matters then the real search for the truth will never progress.

As for ‘lake monsters’ such as those believed to inhabit Loch Ness, perhaps the real monsters are of the human kind, whatever it is or they are that inhabit Loch Ness, they are not as mysterious as the personal politics involved in research there. Seals, boat wakes, eels, standing waves, floating logs, or just plain old hoaxes, Loch Ness will continue to be the epicentre of Dracontology and Cryptozoological matters, a great shame it could not set the ideal academic study and research example. Loch Ness is indeed the tip of the Dracontology iceberg, but its also drifting towards oblivion, a Cryptozoological subject which may be cynically dismissed by new researchers as ‘untouchable’.

When Paul speaks of those who wish to be seen as the "world’s number one and sole expert on the matter" or are "hell bent on destroying not only the opinions of others but also on succinct character assassination" I can readily empathise with that, having experienced it first hand for myself on the new platform of Internet forums.

Whether it is the same people involved in 2016 as in 2001 is not a matter I wish to pursue in this article. The point is that the problem has not gone away and it is appropriate that Paul is the author of this new book on Frank Searle entitled "The Monster Hunter - The True Story of Nessie and Frank Searle". That phrase, "the true story" implies there are things about Frank Searle that have been either omitted, exaggerated or just plain fabricated. What those are remains to be seen, but I have spoken before about Frank's unpublished second book, which was pulled after protests by Adrian Shine. That book was, until recently, available online. I note that link has gone dead, so you can now download and read the PDF from my own archives at this link.








It is a publication you should take with a pinch of salt given the high tensions of the period, but to state it is wholly fabricated is something that should also be taken with a pinch of salt. Apart from a couple of less than flattering claims made against a prominent Nessie sceptic often seen on cryptid Internet forums, the one that intrigued me most was the claim that Tim Dinsdale was at Loch Ness in April 1960 with another man with whom he later had an argument and was seen bundling into his car after he collapsed.

This sounds fanciful but is based on what a claimed local eyewitness who approached them told Searle years later. The fact that no one has stepped forward saying they were that mystery man seems to mitigate against it. Such are the claims and counterclaims of the Frank Searle story.

As a prelude to Paul's book coming out, I decided to look again at the infamous "petrol bomb" incident of August 1983. What we know of this mainly comes from those who were Frank Searle's enemies. Since the phrase "the victors get to write the history" is a truism even in the Highlands, I decided to look beyond these people. A search of the newspaper archives at the invaluable National Library of Scotland turned up two articles. The first is from the local Inverness Courier dated the 23rd August 1983. Click on the images to enlarge for reading.




The second comes from the Aberdeen Press and Journal of the 22nd August 1983.






Clearly, something happened on the 21st August 1983 when somebody lobbed a lit plastic bottle filled with petrol at a boat and somebody had daubed words against Adrian Shine on the walls of Urquhart Castle two days before. The Inverness Courier took a neutral stance in talking about an "alleged petrol bomb attack" and did not name any suspects. The Press and Journal had a similar approach but also mentions police involvement and the vandalism at the castle.

However, things get obscure beyond these newspaper clippings. A further search makes no mention of the outcome of this police investigation and no mention of Frank Searle. One can only presume the investigation fell through due to lack of evidence.

Mike Dash, Fortean researcher, wrote on this incident as he was there as a volunteer with the Loch Ness and Morar Project. He did not witness the incident at 5:30am but was there to observe the consequences. He said a female volunteer identified the man who threw the bottle from a photo of Frank Searle, but nothing came of this important witness evidence.

Combining this with Searle's account of the incident in his unpublished booklet, it would seem the police quickly visited Frank Searle at his Foyers base only to find him painting the ceiling of his small exhibition. They also asked him if he would take part in an identity parade, to which he refused since he claimed he was too well known to allow an unprejudiced procedure.

Searle's booklet makes no mention of the castle incident, let alone making a defense against it. Though he does argue against the petrol bomb incident, claiming that the idea was stupid since a molotov cocktail had to be made of glass and the waves were so high that morning they would have extinguished any flame.

A final source was a friend of Frank Searle by the name of Graeme Caisteal. He countered Mike Dash's account by claiming Frank had a prosthetic foot from his army days which would make it nigh impossible for him to clamber up to the castle and daub the walls. Perhaps, but he also said that the police found the engine of Frank Searle's boat to be stone cold and that there were a group of tourists there to vouch as alibis.

Frank Searle claimed he had an idea who perpetrated the bottle attack and claims he was set up. He does not name the person and we are left in the awkward position where Frank Searle is the obvious suspect, but evidently not obvious enough to press charges. Counter arguments can be made against such arguments as parties classed as monsters by the other party clash with all teeth bared.

As for me, I will simply await Paul Harrison's book to see what it has to say about that day on a shingle beach thirty two years ago. I do hope no one tries to block this book as they did with Frank Searle's.

Meanwhile, the envenomations will continue as personalities and agendas trump research in the great Loch Ness Monster debate!

The author can be contacted at lochnesskelpie@gmail.com




Thursday 3 March 2016

Scott Mardis talks Plesiosaurs




Fellow lake cryptid fan and researcher, Scott Mardis talks about cryptids as plesiosaurs on Monster X Radio. Scott is one of the leading experts on the monster of Lake Champlain, commonly known as Champ. He also runs the popular Facebook group, the Zombie Plesiosaur Society, which you can find here.

Go this link for the podcast.

Sit back and enjoy this special edition of Monster X Radio: Animal Extant, Relict Plesiosaurs with special guest Scott Mardis. 

Monster X Radio: Animal Extant is a show about general cryptozoology and possible relict extant species that may still roam among us. Hosted by Mike Richburg and Dorraine Fisher, each episode will explore the possibility of the existence of mysterious unknown creatures and those perhaps thought lost to time. Future episodes will focus on the Mokele Mbembe, The Dogman, Lake Monsters, Megalodon, Giant Birds, Large Melanistic Cats, The Jersey Devil, The Chupacabra, and many more.

Scott Mardis has been an active field investigator of the Lake Champlain “Monster” since 1992. He is a former sustaining member of the defunct International Society of Cryptozoology and a former volunteer worker in the Vertebrate Paleontology Dept. of the Philadelphia Academy of Natural Sciences (1990-1992). He co-authored a scientific abstract about the Lake Champlain hydrophone sounds for the Acoustical Society of America in 2010. He currently lives in Bradenton, Florida.

Mike Richburg was born and raised in South Carolina, where he had an encounter with a Swamp Ape in 1978 that had a profound impact on the course of his life. Mike has since been very involved with Cryptozoological Field Investigation, interviewing eyewitnesses and investigating such things as The Lizard Man of Scape Ore Swamp, The Fort Motte Devil, The Dogman, Bigfoot, Lake Monsters, The Rimini Goat Thief, Giant Birds and Snakes, just to name a few. Mike is very much at home in the swamps of the American Southeast, and frequents places few others would. Mike previously was a part of The Big Thicket Watch, and CryptoLogic Radio.

Dorraine Fisher lives in Florida. She is an author, photographer, and team writer and associate for the research group, The Crypto Crew, who's written numerous articles on the subject of cryptozoology.

Saturday 20 February 2016

Is the Hugh Gray Photograph a Swan?




The dog is dead, long live the swan!

In the midst of preparing a review of Darren Naish's new sceptical book,  "Hunting Monsters", I noted an opinion on the 1933 Hugh Gray photograph stating it was a picture of a swan.

The author is somewhat contradictory about the photo in that at one point he speaks of the "sheer ambiguity" of the picture yet later states with the usual sceptical certainty about these matters that it is "almost certainly" a swan. For about thirty years prior to this opinion, the prevalent sceptical view was that Hugh Gray had photographed a labrador dog swimming in the loch (or even elsewhere).

Apparently, that dog is now canem non grata (or whatever the latin is). It looks like the sceptics have finally accepted the "believers" were right about the "dog" in the picture being nothing more than an example of pareidolia (like seeing a face on a slice of toast). Don't expect them to thank us.

Now, I had actually been aware of this opinion doing the rounds on the Internet forums for a number of years. When it appeared I thought someone was having a joke. But now that someone is trying to elevate it to the ranks of not just plausible, not even probable, but certainty. In that light, it is time to expose the problems with this argument.

The first thing to note is the modus operandi of the sceptic. I have debated with and observed sceptics for over five years now and think I have a good handle on the way they try to persuade people of their arguments. To say it is all based on "logic" and "science" would be simplistic and naive. Too often, one will encounter more of the psychology, sleight of hand, straw men and ad hominems when dissecting sceptical arguments.

This particular sub-plot is no different. Observe the two pictures below which were published in defence of Darren Naish's reinterpretation of the Hugh Gray photograph. The top picture is a common image of the Hugh Gray photograph and the bottom picture is an idealised drawing of a swan in the "Hugh Gray" position.




We would be invited to note the apparently common features. The long neck, the body and the white feathered tip at the posterior. But, at best, this is a misrepresentation of the facts. At worst, it is deception. When I saw this pair of images, I asked myself two questions. The first was why they used this particular version of the Gray picture? It is a poor quality image and there is a far better one available. It is called the Heron-Allen image and is shown below against our theoretical swan.



Using this picture, we can discern some features which puts the swan interpretation on a  shaky foundation. If we zoom to the far right side, things become decidedly un-swan like. One is immediately confronted with something that looks like a fish head. Do fish heads grow out of swans' butts? Not unless genetic engineering is older than we thought! Those who unthinkingly say "pareidolia" may not have noticed that this "pareidolia" is casting a shadow on the water.

In fact, that whitish area that looked like the feathered tip of a swan's posterior is now resolved to something less substantial. It looks like spray water heading up vertically or it may be a light defect on the film. I am open to either, but it has nothing to do with swans.




A further examination of the superior Heron-Allen image betrays another problem. Where are the feathers? Try as I may, I cannot see anything that suggests feathers or anything avian. On the contrary, the image suggests a surface that is more smooth in appearance and contour.

There are other issues I would point out, but I will leave those for a follow up article as I expect an "academic paper" (I use the term loosely) to be published trying to push this fast crumbling theory. For example, someone is going to suggest (or rather tell us) that this is a double exposure and that opens a wonderful vista for sceptics as it allows them to tack on almost anything in their agenda against this picture. But that is for another day.

So why did the author use the inferior image when this superior image was available? My own opinion on this is that if the superior image was used, it would simply destroy the swan argument. The feathered tail would disappear and the curious fish head would appear. However, the more ambiguous inferior image better suits their case.

Darren Naish and his advisers on this matter know this superior image exists. Why did they not use it? After all, Steuart Campbell in his book "The Loch Ness Monster: The Evidence" was using it years ago. You now see what I mean by the psychological tactics of convincing readers as well as the scientific.

The second question I asked myself was why they used a drawing of a swan instead of a real one? The problem with drawings is that they can easily be drawn to fit the theory. It is no surprise that Darren Naish's swan looks like the Hugh Gray object.

Or does it? A quick use of picture software allowed me to overlay the swan drawing over Hugh Gray object. You know what? They don't even fit. If you align the neck and shoulder to fit in proportion, the problem becomes apparent. The Hugh Gray creature is far more extended that our theoretical swan. So we have a swan with a fish head growing out of its butt which is about twice as long as a normal swan. This bird gets more cryptozoological than the Nessie it is trying to get rid off!


 

CONCLUSION

Whatever you may think of the object in the Hugh Gray photograph, you should remove "swan" from your list of possibilities. I am astounded at the level of scepticism today when such explanations are trotted out with no proper due diligence on their validity. Critical thinking has grown fat, lazy and complacent in its pursuit of truth. In fact, do sceptics even believe these theories themselves or is it all a matter of getting rid of that troublesome monster?

Why Darren Naish allowed himself to be suckered by whoever he consulted on this matter is a mystery. Sceptics do not critique each other, I established that years ago. He should have asked me about this picture, but I won't be holding my breath over sceptics asking believers about anything. They hold us in too much intellectual contempt to "lower" themselves to that level!






Thursday 18 February 2016

And the Winner is ...

The votes are in for the Inverness Courier and William Hill Best Nessie Sighting of 2015 and it goes to Conor McKenna and his sighting of September 15th. He saw what he described as a 15-20ft long object lying in the water which had a wave breaking against it before it disappeared.

A good sighting, though since Mr McKenna was driving, I doubt he could concentrate on the sighting as long as necessary for fuller details. Note the comments about people being reticent about coming forward with their sightings for fear of sarcasm. Such is the repressive atmosphere sceptics have created with their dumbing down of witnesses. We salute those who still come forward with their accounts.



Original link here.

AS a former Gulf War veteran, Conor McKenna often notices things which seem out of the ordinary. His sighting of “something” inexplicable on Loch Ness as he drove along the A82 has now netted him first prize in the annual Best Nessie Sighting contest, sponsored by bookmaker William Hill and decided by Inverness Courier readers in an online vote.

The Inverness lorry driver was one of four contenders in the competition for sightings during 2015. Although his was one of two verbal accounts, while the other two were accompanied by photographs, his encounter was reckoned by voters to be the best.

He wins £1000 cash prize plus a £100 bet to place on the winner of the William Hill Scottish Cup. The other three entrants will receive a £50 bet. Mr McKenna, who previously served with 1st Royal Irish Regiment and saw action in the Gulf War in 2003, was delighted but surprised when told the news.

“It’s not often I am stuck for words but I am this occasion,” said the 32-year-old, who lives with his wife Eilidh and their eight-year-old daughter in Maclennan Crescent, Merkinch. “We have a baby due in April and we are also having to get a new bed for our daughter. We have been scrimping and saving, so this has come just at the right time.”

Mr McKenna, who works for Helmsdale company EM and T Rapson, recalled his encounter on September 15 when he was on one of his regular routes north along the A82. About a mile south of Urquhart Castle he spotted a dark-coloured 15-20ft long object in the water. “It was long enough, whatever it was, to leave a crest,” he recalled. “A wave broke on the left-hand side and I wondered if it was a log or a tree, but then it disappeared.”

As he was driving at the time Mr McKenna was unable to take a photograph. “I don’t really know what it was except it was big enough to make me question myself, and I don’t like that,” he said. “I didn’t discuss it at the time with my wife as she would have thought I was mad. Also, she gets annoyed because I am ex-army and always observing and spotting things which don’t seem quite right. I told two other people who just laughed and asked whether I was driving or sitting in the pub!”

Mr McKenna regularly drives along the A82 but has not spotted anything unusual since. Eventually he registered his sighting with Gary Campbell, who keeps the official register of sightings of the Loch Ness monster. Mr Campbell said of Mr McKenna’s entry: “What it shows is that there is a guy local to the area who drives up and down Loch Ness and sees something different.

“He is willing to stick his neck out and say he saw something but doesn’t know what it was. “I am sure there are lots of people who see things and don’t tell anyone because they are too embarrassed.”

William Hill spokesman Rupert Adams agreed. “People are always nervous about saying they have seen something because they don’t want to be a figure of fun,” he said.

Sunday 14 February 2016

The Peter O'Connor Photograph (Part III)




In the previous article on this famous photograph, we considered a test photograph taken in 2010 which claimed to cast doubt on the stated time of O'Connor's 1960 picture. Aside from doubts that O'Connor actually knew the time with any accuracy, that 2010 photo was shown to have its own problems.

Now moving on, the same article by Dick Raynor also proposed a theory which speculated on how O'Connor allegedly faked his picture. It has been suggested for years that O'Connor had a canoe and the sceptical article tries to leverage that fact to its advantage.

It turns out that the O'Connor family went to Loch Ness in 2010 to commemorate the 50th anniversary of the photograph and had brought a folding canoe which Peter O'Connor had apparently used back in May 1960 (by the way, it seems the O'Connor family were no help in offering proof that Peter faked the story or even providing an uncropped photo). Later, Raynor tried to identify the canoe and decided it was a model called the "Tyne Prefect" which is shown below.


From this he suggested that O'Connor had actually used this canoe to reproduce and photograph a fake monster. Enquiring further, he found the owner of a current Tyne Prefect on the Internet and asked him to sent a photo of it in an O'Connoresque position. This is shown below.




Now if we imagine this theory to be a three legged stool, we are now going to remove each leg in turn until this theory has none to stand on. 


LEG NUMBER ONE

The author of the theory had used image overlays in the article to establish the minimal uncropped area of the photo. However, when he comes to this canoe theory, he strangely decides not to do the same procedure. When I did it myself, it became apparent why - the comparison is, at best, unconvincing. The overlay below lines up the top rudder attachment with a point of interest in the photo (as explained below).




Note the canoe is eleven feet long while O'Connor estimated his hump to be upwards of 16 feet or more, so a "shrink to fit" has been done for overlay comparison. So aligning end to end and allowing for part submergence of the canoe gives us this image.

At this point, anyone would say they don't fit and so this is not a particularly good theory. However, Dick Raynor decides not to ditch this theory as a bad idea and does something which should be avoided - he begins to add layers of complexity. In other words, he begins to paper over the cracks.

How does he do that? Using the fact that these kayaks had a canvas skin to contain an unfolded wooden skeleton, he speculates that the canoe was somehow filled out. But that brings us to the problem that rubberised canvas is not very elastic. In fact, just like this theory, it would be stretched beyond the breaking point to achieve the dimensions of the O'Connor object.

I made an enquiry to a canoe forum which was discussing the very subject of restoring these old canoes. I asked how elastic these canvas covers were and got this answer:

These things have some stretch in them, but really very little that you would notice just handling the skin. As you say, just enough to contain the frame. Maybe of the order of a centimetre or two along the full 12ft of the boat. I don't think of them as elastic, but when you press down heavily on the 'scissors' join between front and back of the frame, it levers the bow and stern into the ends of the skin and that lever creates the tension that provides the rocker and ensures a smooth fit to the skin. If you bang on the skin it is tight like a drum.

So, the difference in height between the O'Connor object and our presumed canoe looks too much to overcome. But Dick says, just remove all or part of the wooden skeleton. Nonsense, canvas is not rubber, it will not sufficiently stretch no matter what you take out. That brings us to the problem of the hypothesised stuffing material. Raynor tries to rehabilitate Maurice Burton at this point and talks about the plastic bags, string and stones Burton found. 

Stones are not exactly "found" as they litter the entire beach. The bags found by Burton amounted to no more than a few fragments, hardly enough to stuff an eleven foot canoe. That leaves rocks and pebbles and I do not see them achieving the smooth appearance of the O'Connor object. But that is irrelevant as the canvas won't stretch to accommodate the proposed size. It was sewn together to hold a certain wooden framework.

Conclusion? Remove one leg of the stool.


LEG NUMBER TWO

The theory then points out that the canoe has two points jutting out with which to attach a rudder. You can see them to the left on the canoe picture. Dick Raynor thinks he can see one in the O'Connor photo and points an arrow at it (below).




You know, sceptics often laugh at Nessie believers when they find significance in small, obscure features in a photo. It seems the practise is not limited to their ilk. As it turns out, this is just a water effect, probable a wave breaking behind the object. Why do I think that? Because the second rudder point is not visible in the picture. It should be just below or above the other one and I see nothing.

No layer of extra complexity has yet been added to prop up this "evidence". Conclusion? Knock off that other leg.

LEG NUMBER THREE

Dick rightly points out that this proposed structure has a problem. It will topple over on its own. This leads to another layer of complexity as it is proposed that O'Connor's accomplice, Fred Fulcher, held up the canoe for O'Connor as he took the picture. But this is easily shot down when it is pointed out that Fulcher is not visible in the picture.

So, we have another opportunity to flush this theory down the toilet. But, no, more complexity comes when it is suggested that Peter O'Connor painted Fulcher out of the picture! Layer upon layer of complexity, assumption and speculation is heaped up as this theory threatens to collapse under its own weight. Dick speculates the "blotchiness" of the dark background proves the use of black ink or paint (or whatever).

Now just hold it right there for a second!

I thought the dark background was proof that the photo has been taken in the dead of night. Now we are being told the original background has been painted out with black! Joined up sceptical thinking? I don't think so. There goes the final leg. What do we do with the stool seat?  I guess it would make a good frisbee because it is fit for nothing but chucking away.


A FINAL OBSERVATION

I wonder if Dick Raynor has read Tim Dinsdale's book "Loch Ness Monster"? Perhaps not, but if he consults Dinsdale's first edition on page 164, he will find these words of Peter O'Connor regarding a stretch of water on Loch Ness:

I crossed the same part by two-man canoe and it took approximately six times as long.

But wait a minute, Dick Raynor is using a one-man canoe for this analysis. These words of Peter O'Connor date back to July 1960 when he went back to the loch (if you think you have had a close encounter with the monster, it is no surprise that you are drawn back to the loch so quickly).

But it makes sense, after all, Peter O'Connor and Fred Fulcher formed a two man expedition and so a two-man canoe was a more suitable vessel to take. Did the O'Connor family make a mistake back in 2010 when they brought a one-man canoe? Probably, and I would take the words of O'Connor himself mere months after the event than that of his family 50 years later.

Either way, we can no longer be sure about what canoe was taken to Loch Ness in May 1960, I am not even sure it can be proven he took one at all. Dick Raynor may "sprint" to a new conclusion, but the identity of the two-man canoe is a mystery which further invalidates his theory.


CONCLUSION

A little knowledge is a dangerous thing. I have seen it elsewhere many a time; you get a hold of a piece of information, you think it could form a theory that enhances your CV and you begin to erect a structure around it ignoring the problems that mount up as you try to prop up that theory. I have no doubt done it myself and no one is immune from it - be they sceptic or believer.

The trouble with these incomplete theories is that they are based on plausible deniability. People will have trouble accepting a large creature exists in Loch Ness. However, they will have no trouble accepting the existence of canoes at Loch Ness. That is how sceptical theories get their leverage as the ingredient to their theories consist of common objects framed in uncommon circumstances.

Most people will accept them as plausible but very few will take the time to critique these theories and find that, though plausible, they are not always probable for reasons stated here and in similar articles elsewhere.

Part four of this series will follow in due course.



The author can be contacted at lochnesskelpie@gmail.com




















Thursday 11 February 2016

Unusual Paintings of the Loch Ness Monster




Here's one that is going on eBay just now. It was painted in the 1970s by Preston artist Nick Tomlinson and its yours for forty quid. Look close enough and you'll see Nessie! When I see a painting like this, I check the database to see if the artist was a witness to the monster and went off to paint their experience. In this case, I found no reference to this artist.

Now that may not be unusual in that regard, but Nessie popping up while the artist is at the loch painting is a scenario I have only two claims for and one was an alleged painting done in the 19th century. The person who made that claim said they had scans to prove it but never sent me them. Whoever it was didn't come good on that, so we move on.

There is one painting I would like to track down and that is one of the Loch Ness Monster that is over eighty years old. It is mentioned in an advertisement from the Dundee Courier of 20th September 1934 and is shown below.



The ad seems to imply that the artist painted a sighting of the creature in progress and this would obviously be of great interest to Nessie cryptozoologists. Where this painting is now is anyone's guess (unless a reader has special information). A first step would be to identify the artist and candidates for that period would be Constance Whyte and Alistair Dallas. However, this does not sound like one of them. Another opportunity for detective work it seems.

But hitting dead ends on Nessie investigation is enough to drive you to drink. So I would likely find this beer mat useful!




And speaking of unusual paintings, Bradford Johnson's ongoing work with Loch Ness paintings can be seen here.


The author can be contacted at lochneskelpie@gmail.com